Everything about Palais Du Louvre totally explained
» For the museum see Louvre Museum.
The
palais du Louvre in
Paris, on the
Right Bank of the
Seine is a former royal palace, situated between the
Tuileries Gardens and the church of
Saint-Germain l'Auxerrois. Its origins date back to the medieval period and its present structure has evolved in stages since the sixteenth century.
The Louvre—which gets its name from a
Frankish word
leovar or
leower, signifying a fortified place, according to the French historian Henri Sauval (1623-1676)—was the actual seat of power in
France until
Louis XIV moved to
Versailles in 1682, bringing the government perforce with him; the Louvre remained the formal seat of government to the end of the
Ancien Régime.
Medieval Louvre
The first royal "Castle of the Louvre"—it was first mentioned under this name in a charter of 1198—was founded on the edge of medieval Paris by
King Philip Augustus as a fortified royal palace to defend the western flank of the city on the
Rive Droite (right bank). The structure consisted of a rectangular enclosure wall with towers at the corners and the middle of the sides, as well as two strong gates. In the centre of the courtyard of the castle was a tall
keep, isolated by its own moat.
Charles V remodelled the structure to provide some suitably splendid apartments. Later kings such as François I and Henri II systematically demolished the original castle to build a Renaissance palace. The remains of both the curtains and the keep can be seen in the Medieval Louvre gallery.
The Renaissance
The earliest above ground part of the Palais du Louvre was begun in 1535. The architect
Pierre Lescot introduced to Paris the new design vocabulary of the Renaissance, which had been developed in the
châteaux of the Loire Valley. His new wing for the old castle defined its status, as the first among the royal palaces.
Jacques Androuet du Cerceau also worked on the Louvre.
During his reign (1589-1610),
Henry IV added the Grande Galerie. More than a quarter of a mile long and one hundred feet wide, this huge addition was built along the bank of the Seine; at the time of its completion it was the longest building of its kind in the world. Henry IV, a promoter of the arts, invited hundreds of artists and craftsmen to live and work on the building's lower floors. This tradition continued for another 200 years until
Napoleon III ended it.
Louis XIII (1610-1643) completed the wing now called the
Denon Wing, which had been started by
Catherine de' Medici in 1560. Today it has been renovated, as a part of the Grand Louvre Renovation Programme.
The
Richelieu Wing was also built by Louis XIII, the building first being opened to the public as a museum on
November 8,
1793 during the
French Revolution.
The Louvre under the Sun King
Commissioned by
Louis XIV, architect
Claude Perrault's eastern wing (1665-1680), crowned by an uncompromising Italian
balustrade along its distinctly non-French flat roof, was a ground-breaking departure in French architecture. His severe design was chosen over a design provided by the great Italian architect
Bernini, who had journeyed to Paris specifically to work on the Louvre. Perrault had translated the Roman architect
Vitruvius into French. Now Perrault's rhythmical paired
columns form a shadowed
colonnade with a central
pedimented
triumphal arch entrance raised on a high, rather defensive basement, in a restrained classicizing
baroque manner that has provided models for grand edifices in
Europe and
America for centuries. The
Metropolitan Museum in
New York, for one example, reflects Perrault's Louvre design.
Later works
The Louvre was still being added to by Napoleon III. The new wing of 1852-1857, by architects Visconti and Hector Lefuel, represents the
Second Empire's version of
Neo-baroque, full of detail and laden with sculpture. Work continued until 1876.
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